Today’s guest post is kindly provided by author Nina D’Aleo
Nina is the author of The Last City, which is tantalisingly described as “an intoxicating blend of noir crime, science fiction and fantasy; Blade Runner meets Perdido Street Station.”
At the risk of sounding naive–or masochistic, I never really considered genre or subgenre when I began writing The Last City. Coming off the back of a creative writing degree, I can’t claim it was lack of knowledge. I was aware of genre, I just didn’t realise how important it was. I never thought that somewhere in the far off future the book would be passed over for publication, several times, due to it straddling genres (and the associated problems of marketing and placing a cross-genre story)–and as every writer knows, this hurts. Even when you’re a veteran of literary rejection, it’s still hard to accept that something you’ve created and that you love will never see the light of day.
It left me wondering why I had made the fatal error of not considering the marketplace when writing the story. Well–I’m going to blame it on some advice I was given while studying (because blaming others is always more fun). The advice went something like this–write what you want to read, write what you’re passionate about–It sounded sane enough at the time. What I wanted to read and was utterly passionate about was fantasy worlds with futuristic mega cities, which blended tech and magical elements, and had created races of people and others. Because that’s what was in my head and heart, that’s what I ended up writing, only to hear in the same far off future that this advice is ill-advised and that writers are actually wiser to write what’s selling…
At this point I could argue each side–write for love, write for sales–and provide examples of both cross-genre and within-genre work that have found publishing success, but I won’t, mainly because I think this should be done by people who actually know what they’re talking about. I’ve spent the last ten years in an underground cave writing my book so I’ll skip my lofty pontificating on the topic and get straight to the good bit–the bit where The Last City (through the efforts of an indefatigably determined agent) lands on the digital desk of Momentum Books. The rest of the tale involves that mythical Acceptance Letter and me joy-crying–a lot. It seems, from my novice perspective, that digital publishing is making it possible for cross-genre books like mine to be given a chance, which I find such an exciting prospect–not just as a writer, but as a reader. The creative possibilities seem infinite, and that’s exactly how I like them.
So now it’s back to the cave to do it all again…
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