Hannah and her mother couldn’t be more different. Where Roz looks towards science and logic, Hannah’s first port of call is the mystical and the mysterious. These contrasting outlooks have shaped their lives together, and particularly their perceptions of certain key events–one of which being the disappearance of Hannah’s father when Hannah was an infant. Where Roz knows that his disappearance has a mundane, if painful, cause, Hannah believes that there may be more to the story.

These beliefs are tested when Roz and Hannah are invited back to Wintersloe manor by Hannah’s paternal grandmother in Scotland. It’s an invitation that evokes thoughts of magic and marvel in Hannah, and one that dredges up painful memories and resentment for Roz, for it was in Scotland that her husband went missing. Roz tells Hannah that she has no intention of returning to Wintersloe, blaming her dislike of the titled system in the UK–it’s nothing that she wants to be a part of, she claims–but her heartbreak is obvious.

Twelve-year-old Hannah, of course, succeeds in persuading her mother to fly across the world to Scotland (provided she takes her homework with her), and soon enough Hannah and Roz are taking tea and marmalade cake in the parlour of the magnificent Wintersloe. Hannah quickly settles in, making friends with the local pre-teens and enjoying the tales of lore and history that are all around her. But there’s one element of all of this that remains enigmatic: her grandmother. Hannah’s grandmother keeps alluding to a series of oddities and strange goings-on, and she’s deeply rooted in the mythological and healing traditions of the country. Roz suspects senility, but Hannah is certain that there’s method behind the, er, madness.

She becomes more convinced of this when she happens upon her father’s diaries, which are cryptically written and full of puzzles and mysteries. But Hannah gleans from them that her father’s disappearance may have indeed been magical: she suspects that he has travelled back in time to the sixteenth century. And so Hannah and her trio of young friends set about attempting to follow in his footsteps in the hopes of bringing him back for good…and without becoming trapped in the past themselves.

Kate Forsyth is quickly becoming my young adult Charles de Lint. By that I mean that she’s an author I read because I can’t help but fall utterly in love with her characters. Every character in this book is so fully realised and so individual that it really is as though you’re sharing an adventure with real people, and I found myself constantly impressed by the small quirks, habits and attitudes that the author managed to work into even the most minor of her characters.

Where other authors might use simple differentiating factors to separate their characters, Forsyth brings together groups of like characters that are still wonderfully themselves. (After all, how often is a friendship group actually made up of four entirely contrasting individuals? Most people gravitate towards people that are somewhat like themselves, and this is something that Forsyth captures without her characters dwindling to sameness.) There’s also a beautiful balance between the adult and younger characters, too Although the younger characters are allowed to go off on their old adventures, the adult characters aren’t simply shunted aside, but rather play significant roles in the book (as adults often do in their children’s lives!).

There are a few little nods to other authors, too: I have my suspicions that animal loving Donovan may be channelling that much-loved Dickon from The Secret Garden (see our review), and it’s a reference that works well given all the talk of gardens, roses and renaissance of self.

There were a couple of little character-related niggles that didn’t quite work for me, though. These were the band that the four friends set up and the clothing choices of the children. There was something about these elements that made them feel a little older than their twelve or thirteen years, and that I felt detracted from the otherwise middle grade tone of the novel.

As a lover of puzzles and language, I delighted in the discussion of cryptic crosswords, which of course play an important role in the puzzle solving element of the book, and of the importance and meaning of names (cf Rosebud). The identity of “the Black Rose” is discussed at length, and there’s a good deal of rumination on palindromes, name reversals, and so on. That names can be linked so strongly to identity is such an interesting concept, and the way that all this plays out in the novel is in stark contrast to Roz’s initial conception of the titled Scottish system being arbitrary and unfair.

I have to admit that the plot at a glance is a little familiar, and there are certain aspects to the mystery (the identity of the Black Rose and the final solution to the puzzle ring) that are fairly easy to spot, but there’s so much here to enjoy that you’ll likely not care. Forsyth’s world-building is spot-on, and there are myriad fascinating tidbits about life in Scotland in the present day, as well as of in the sixteenth century, that are elegantly worked in in passing rather than as part of a lengthy description or explanation. One character, for example, asks the children whether they’d brought their eating forks with them, which provides a small but intriguing insight into the norms of the time and the massive divide between rich and poor–this scene can later be contrasted with one involving the royal court. Magic and faerie are in abundance, and these, as well as the setting, help provide a dreaminess that might have otherwise been removed by the SFnal time travel element. There’s also plenty of levity arising from the character interactions that helps to defray the gloominess and squalor of city living in the sixteenth century (my favourite is perhaps Max’s insistence on using hand sanitiser to clean a knife for fear of germs).

Though YA readers might want to take note that this book is pitched at more of a middle grade audience, The Puzzle Ring is full of beautiful places, intriguing puzzles and characters that you won’t want to leave, and I don’t doubt that you’ll thoroughly enjoy your time in its pages. Oh, and extra points for the bonus marmalade cake recipe in the back of the book.

Rating: (excellent)

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With thanks to Kate Forsyth and Pan Macmillan Australia for the review copy

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This book appears on our list of time travel books

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